What remains visible when we do not capture moments, but simply let them unfold?
In a world dominated by achievement, busyness, and self-optimization, ‘In Time’ invites us into the tension between photography and slowing down. The focus is not on the perfect image but on the experience of time and the perception of possibilities that open up without compulsion. Using homemade pinhole cameras, environmental motifs were exposed over varying periods of time – ranging from minutes to the entire duration of the bachelor's project. They reveal traces that would otherwise remain invisible and offer a glimpse of what cannot be captured in an image. Instead of technically flawless, controlled results, the outcome is a series of photographic images that bear the hallmarks of time. An alternative to the ubiquitous culture of instant photography – and a gentle prompt to lose or find oneself in the process, rather than constantly having to prove oneself.
